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A teacher vs. tradition in a border school where integration meets suspicion.
TMDB
100

Kdo se bojí, utíká (1987)

earnestfolkloricuneven

Overview

Drama

In a school somewhere in the border region, a young teacher is trying to integrate Romani children into the classroom. But their families remain suspicious of education. The filmmakers have chosen a largely romantic view that does not penetrate beneath the surface. They have included numerous folklore examples, acting as the most attractive element. The real problems can thus only be imagined.

Flag of XCXCCzech
Content warning
based on novel or bookromani people
cultural assimilationsystemic prejudiceeducation as colonial toolromanticized poverty

Standout Aspects

Acting

Petr Čepek brings weary authenticity as the skeptical Mižikár.

Costume

Romani wardrobe and dance sequences are genuinely transported.

Best for:Solo: When you want Czech New Wave-adjacent social drama without the edge.·Background: The folklore musical numbers deserve your actual attention though.
Heads up:Triggers: Paternalistic portrayal of Romani characters; made by outsiders.
Dušan Klein

Director

Dušan Klein

ReleasedMay 1, 1987
Runtime1h 34m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
Filmové studio Barrandov

Top Cast

Pavel Kříž

Pavel Kříž

Miroslav Dudek

Petr Čepek

Petr Čepek

Mižikár

Anna Kaźmierczak

Anna Kaźmierczak

Jitka Beranová

Luděk Munzar

Luděk Munzar

Trabach

Josef Somr

Josef Somr

Smrček

Zita Furková

Zita Furková

Mižikárová

Yvetta Blanarovičová

Yvetta Blanarovičová

Ilona Mižikárová

Otto Lackovič

Otto Lackovič

Rinaldo Bihary

Vladimír Kratina

Vladimír Kratina

Bartoš

Ilja Prachař

Ilja Prachař

Fores

René Přibil

René Přibil

Čureja

Ask about Kdo se bojí, utíká

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Cultural

Made during glasnost-era Czechoslovakia, when Roma representation was rare but typically filtered through majority perspective.

Insight

Based on a novel by teacher-author who worked with Romani communities, yet the adaptation softens every hard edge.

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