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Grief wears a nurse's uniform in this twisted 1950s Spanish melodrama.
TMDB
90

De mujer a mujer (1950)

melodramaticrestrained hysteriacatholic guilt

Overview

Drama

As every year, the happy marriage of Luis and Isabel wakes up ready to celebrate her onomastics her and that of her daughter, unaware that the day reserves a tragic twist in the destiny of their lives, because the girl dies in a fatal accident. The impression is so strong that Isabel becomes mad until the point of being confined in a sanatorium. And looking for her health, the doctor forbids Luis to see his wife. He can only get news from her via Emilia, the young nurse who cares for Isabel.

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Content warning

Standout Aspects

Acting

Rivelles' descent into grief-stricken madness is operatic perfection.

Costume

Emilia's crisp white uniform vs. Isabel's unraveling elegance.

Best for:Solo: When you want to wallow in vintage suffering.·Rewatch: To catch every loaded glance between nurse and husband.
Heads up:Emotional: Child death in opening minutes; maternal breakdown throughout.·Triggers: Sanatorium confinement and psychiatric treatment as plot device.
Luis Lucia

Director

Luis Lucia

ReleasedSep 13, 1950
Runtime1h 25m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy

Top Cast

Amparo Rivelles

Amparo Rivelles

Isabel

Ana Mariscal

Ana Mariscal

Enfermera Emilia

Eduardo Fajardo

Eduardo Fajardo

Luis

Manuel Luna

Manuel Luna

Padre Víctor

Manolo Fábregas

Manolo Fábregas

Javier

Jesús Tordesillas

Jesús Tordesillas

Antonio - padre de Isabel

Fernando Fernández de Córdoba

Fernando Fernández de Córdoba

Doctor Hernández

Mariano Asquerino

Mariano Asquerino

Pediatra

Eloísa Muro

Eloísa Muro

Vicenta - madre de Isabel

Antonio Riquelme

Antonio Riquelme

Gutiérrez

Irene Caba Alba

Irene Caba Alba

Enferma mental 1

Ena Sedeño

Ena Sedeño

Enfermera Adela

Arturo Marín

Arturo Marín

Viandante

Francisco Bernal

Francisco Bernal

José, cochero

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Made during Franco's Spain, the film channels Catholic melodrama traditions while skirting direct censorship of female desire.

Insight

Ana Mariscal was one of Spain's few female director-actors; her Emilia is complicit and victim simultaneously.

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