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Eight minutes of force-feeding that'll ruin your appetite for days.

Feed/Kill (2010)

visceraluncomfortably intimatefever dream

Overview

A scene that’s at once seductive and repulsive, tender and obscene, aesthetically thrilling and grotesque. Surrounded by flowers, fruits, juices and other delicacies, Tejal Shah and Marylea Madiman, dressed in Indian traditional clothing, sit side by side. Shah remains passively seated while her partner brutally feeds her. The excessive eating creates an erotic tension and the interaction between the two blurs the line between sex and aggression. In a provocative way, the human condition, the relationship between violence and power, the body and identity are questioned.

Flag of USUS
foodtensionintimacyaggression
bodily autonomyconsumption and excesscolonial gazequeer intimacy

Standout Aspects

Direction

Shah's unflinching control of erotic repulsion.

Production

Excessive food staging as weaponized aesthetic.

Acting

Madiman's aggressive tenderness, Shah's terrifying passivity.

Best for:Solo: When you want to feel something deeply uncomfortable alone.·Theater: Gallery or experimental screening—needs big screen immersion.
Heads up:Disturbing: Force-feeding imagery, consent ambiguity, bodily fluids.
T

Director

Tejal Shah

ReleasedJan 1, 2010
Runtime8m
StatusReleased

Vibe

Paceslow
Intensityhigh
Tonedark
Feelheavy

Top Cast

Ask about Feed/Kill

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Shah's work often interrogates how South Asian femininity gets consumed by Western and patriarchal gazes—here literalized through forced ingestion. The traditional clothing against brutal feeding suggests heritage itself becomes a site of violence.

Insight

The 8-minute runtime mirrors commercial pornography's standard length, deliberately queering that format while rejecting its pleasures. You're trapped in something that looks like it should arouse you but instead induces nausea.

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