Three minutes. One door. Infinite questions about what haunts your hallway.
Direction
Eremia weaponizes negative space.
Cinematography
Every frame a Rothko of dread.
Director
Thomas Eremia
Trivia, insights & behind the scenes
The 'domestic uncanny' tradition—this joins a lineage from Repulsion to Relic in under three minutes.
Shot in a single continuous take; Okkema reportedly did 23 takes, with Eremia using #17.
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