After being repeatedly denied her requests for a vacation by her sexist boss, a young woman finally explodes.
Acting
Dora Polić's deadpan desperation is *chef's kiss*.
Direction
Matanić turns supermarket fluorescent hell into visual poetry.
Director
Dalibor Matanić
Trivia, insights & behind the scenes
Post-Yugoslav cinema loved workplace absurdity as metaphor for collapsed systems. This is peak 'let's laugh so we don't scream' energy.
The supermarket was a real working store; some customers didn't realize they were walking through an active film set.
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