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A theater troupe exhumes the ghost of Portugal's most dangerous woman — and she refuses to stay buried.

A Mulher que Morreu de Pé (2025)

poetic hauntingarchival resurrectiontheatrical séance

Overview

Documentary

This fictional documentary traces a poetic cartography based on the journey of a theater group to São Miguel, Natália Correia's birthplace, and Lisbon, where she lived most of her life. It passes through Botequim, Assembleia da República, Hotel Britânia, Teatro Micaelense, Parque Terra Nostra, and so many other places once inhabited by Natália and now by these actors who help us to unearth the myths, ghosts, and pains born in the life and work of Natália — one of the most important figures in Portuguese culture, literature, and politics, before and after April 25.

Flag of PTPTPortuguese
Content warning

Standout Aspects

Direction

Coutinho Cabral blurs documentary and possession

Production

Locations breathe with Correia's actual presence

Acting

Chaves channels volcanic intellect without imitation

Best for:Solo: Late night when you want to feel haunted by history·Streaming: Pause often to Google Natália Correia mid-watch·Rewatch: Second viewing catches the ghosts you missed
Heads up:Triggers: Discusses political persecution, institutional misogyny·Emotional: Unflinching on how Portugal forgot its own heroine
R

Director

Rosa Coutinho Cabral

ReleasedSep 11, 2025
0
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonemixed
Feelheavy

Top Cast

Soraia Chaves

Soraia Chaves

João Cabral

João Cabral

Joana Seixas

Joana Seixas

Hugo Mestre Amaro

Hugo Mestre Amaro

Alexandra Sargento

Alexandra Sargento

Carolina Bettencourt

Carolina Bettencourt

João Araújo

João Araújo

Leonor Cabral

Leonor Cabral

Paula Guedes

Paula Guedes

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Natália Correia was instrumental in Portugal's Carnation Revolution yet remains criminally under-recognized outside Lusophone circles — this film is part reclamation project.

Insight

The title references Correia's actual death posture and her refusal to perform femininity 'properly' — lying down, silent, grateful.

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