Four minutes to make you forget how to blink.
Observing all the world in a flower; an ecstatic study of colour, a hum of petals opening, a cacophony of bells and saintly icons. ‘Ahora y en la hora de nuestra muerte’ is a hymn to the universal found in the minutiae of nature
Cinematography
16mm grain making petals look like stained glass.
Sound
Bells that climb inside your skull and stay there.
Director
Sebastian Vaccaris
Trivia, insights & behind the scenes
The title references the Hail Mary's final line, reclaiming Catholic death anxiety as ecstatic visual poetry.
Vaccaris hand-processed the 16mm in his bathroom, meaning you're literally watching developer chemicals war with emulsion—organic decay as medium.
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