

A noblewoman kills a man, flees in drag, and accidentally seduces her own love interest. Seventeenth-century Spain was WILD.
Doña Maria de Guzman, a beautiful lady of Ronda has seen as Don Diego slapped his elderly father, disguised as a man pretending to be his brother (the expected return from Flanders) duels with him and kills him. Forced to flee, traveling in company with Don Juan, one of his fans, still hiding her gender. Unable to bear the intimacy with a soldier who believes him, leaving Don Juan and arrives in Madrid. Based on the play by Lope de Vega. The Adventures of Dona Maria de Guzman, a seventeenth-century noblewoman: served in a hostel, dressed as a man, dueled ... A life rich in experiences.
Acting
Paquita Rico's swaggering, vulnerable dual performance.
Costume
The visual thrill of period drag transformation.
Writing
Lope de Vega's plotting still lands after 350 years.

Director
Florián Rey
Trivia, insights & behind the scenes
Florián Rey directed this during Francisco Franco's regime, yet the film's gender subversion somehow slipped past censors—perhaps because the 'disguise' ultimately resolves into traditional marriage.
Lope de Vega's 1612 play 'La moza del cántaro' was part of the 'comedia nueva' movement that revolutionized Spanish theater with fast-paced, socially mobile protagonists—María descends from this lineage of rule-breaking women.