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A secret film workshop frozen in time, full of ghosts and genius.
TMDB
60

All the things that remain (2024)

intimatebittersweetbehind-the-curtain

Overview

Documentary

In a hidden corner of Cinecittà there is a magical place that no one knows about and that was about to disappear. It is STUDIO EL founded in 1983 by Ettore Scola and Luciano Ricceri. A creative space, a sort of Renaissance workshop, a factory. A place where the two great friends prepared their great films in Cinecittà, but where they gave the opportunity to many young people to grow and improve their professionalism. After the passing of Ettore Scola and Luciano Ricceri, time at Studio E.L stopped along with many objects that are the memory of almost 40 years of history of our cinema. Before Studio EL closes forever, becoming a museum space inside Cinecittà, we would like to give the objects it contains the value they deserve and tell their stories.

Flag of ITITItalian

Standout Aspects

Direction

Lo Fazio treats the workshop as a living character, not just a location.

Production

The preserved artifacts—sketches, models, notes—are genuinely breathtaking.

Best for:Solo: Quiet afternoon when you want to feel something gentle about art.·Streaming: Perfect for film school students or Italian cinema obsessives.
C

Director

Cinzia Lo Fazio

ReleasedMar 16, 2024
Runtime1h 9m
StatusReleased

Vibe

Paceslow
Intensitylow
Tonemixed
Feelmedium
Istituto Luce Cinecittà
Polygono Film

Top Cast

Andrea Occhipinti

Andrea Occhipinti

Ricky Tognazzi

Ricky Tognazzi

Massimo Wertmüller

Massimo Wertmüller

Tosca D'Aquino

Tosca D'Aquino

Giuseppe Cederna

Giuseppe Cederna

Luciano Tovoli

Luciano Tovoli

Roberto Cicutto

Roberto Cicutto

Corrado Corradi

Corrado Corradi

Ask about All the things that remain

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Studio EL produced over 40 films including Scola's Oscar-nominated 'A Special Day' (1977), though the workshop itself opened later.

Insight

Ricceri's production design for Fellini's 'Intervista' (1987) was conceived in this space—Scola and Fellini were close friends despite their different styles.

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