Jakob Kisch loves Impressionist art. Therefore, the coach driver leads a double life as a gentleman robber. However, during his final heist, his heart fails. Only thanks to his cunning does he escape—and the Monet was only a copy anyway. During preventative care at the hospital, he overhears Police Chief Fellinger engaging in corrupt dealings. Kisch's sense of justice is alarmed.
Director
Michael Kreihsl
AT
DE
