Two women, a man, some clay, and absolutely zero chill. Feminist chaos in six minutes.
Direction
El Fani's gleeful dismantling of cinematic male gaze.
Practical Effects
Gooey tactile clay work that's viscerally satisfying.
Director
Nadia El Fani
Trivia, insights & behind the scenes
Made in 1990 Tunisia, this short emerged alongside a wave of North African feminist cinema challenging both Islamic conservatism and Western colonial gaze.
The Pygmalion myth gets gender-flipped here—women as creators, man as raw material. El Fani reportedly shot this in a single afternoon with borrowed equipment.
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