

An 8-minute art heist where the stolen goods are your assumptions about who owns culture.
When Susan Rennie retired from academia, she returned to her first love – photography. With humor and wit, Rennie’s photographic interventions offer a feminist critique of the conventional canon of art history, and an unabashed embrace of her elder, queer identity. The results are juicy, eye-opening, and often hilarious.
Direction
Gaulke lets Rennie's wit land like a perfectly timed punchline.
Production
Photographic recreations that roast art history's greatest hits.
Director
Cheri Gaulke
Trivia, insights & behind the scenes
Rennie's 'interventions' echo the strategies of the Guerrilla Girls but swap anonymity for full-bodied, aging presence.
Director Cheri Gaulke was a founding member of the Feminist Art Program at CalArts—this is literally her legacy speaking.
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