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An artist's entire life told through socks, moustaches, and John McEnroe? Absolutely unhinged.

How to Live (2025)

experimentalwhimsicalautobiographical

Overview

A feature length film revolving around Martin Creed's childhood memories. A little boy growing up, seen through the eyes and hair of a young woman. A coming-of-age story told in episodes from conception through the very earliest moments of infanthood to high school, art education and first love. An interwoven story of clothes moves up the body from socks and shoes to trousers and hats. Along the way some various helpful guides to side of life are offered in the form of chapters on "The Trouser Problem" and "What Are Moustaches For?". Based on a true story, memories were filmed in the places where they happened, including Lenzie Academy, Glasgow, where current-day students of the school perform in scenes from their of bullying, misbehaviour and sports. Other, dreamlike acts were filmed in an odd admixture of locations including Las Vegas, USA, and Ascoli Piceno, Italy. John McEnroe features in one fantastical scene on a Malibu tennis court.

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Standout Aspects

Direction

Creed turns his own life into living conceptual art

Production

Real students at his actual school re-enact his memories

Practical Effects

Clothes-as-narrative-device: literally builds a person from feet up

Best for:Solo: When you want to float through someone else's brain·Streaming: Pause frequently to Google "what did I just watch"·Rewatch: Catches new threads each time you surrender to it
M

Director

Martin Creed

ReleasedJun 9, 2025
Runtime1h 25m
StatusReleased

Vibe

Paceslow
Intensitylow
Tonelight
Feelmedium

Top Cast

Layla Burns

Layla Burns

Ask about How to Live

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Creed—best known for the Turner Prize-winning installation 'The Lights Going On and Off'—shot scenes in his actual childhood locations including his old school, with current students as performers.

Cultural

The episodic structure mirrors Creed's own art practice: numbered works, conceptual rules, and a obsession with the mundane elevated to the monumental.

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