In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.
Direction
Forcier channels Fellini without becoming mere pastiche.
Practical Effects
Zenon's eye-projection gag — analog magic in a digital world.
Costume
Paula's beard as character, not punchline. Gloriously committed.

Director
André Forcier
Trivia, insights & behind the scenes
Forcier is a cult figure in Quebecois cinema, virtually unknown elsewhere — this is his most internationally visible work, and it still screened more at festivals than theaters.
The 'Countess' title deliberately echoes Tod Browning's FREAKS, but Forcier inverts the horror — his circus performers are the only honest characters in a world of ideological performance.
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