The Letter (2019) moves between video, performance, sound, and text. It takes as a starting point the haunting reminiscence of a group of West Africans in 19th century Vienna. By following the traces left, an analysis of archival structures and the objects housed within them is opened up, pointing to an understanding of the past as not past but as a gateway for interrogations of Diasporan temporalities.
Director
Belinda Kazeem-Kamiński
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