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Stalkers, psychos, and orphanage trauma — this B-movie stew is gloriously unhinged.
TMDB
68
Rotten Tomatoes
31

Asylum Days (2001)

trashy thriller90s direct-to-video energyunhinged villain performance

Overview

ActionThrillerCrime

The nightmares are always the same for Hollywood actress Laurie Cardell: she's back at the orphanage where she spent her childhood, being tortured by the head mistress, praying for an escape. But that's all in the past... until two brothers decide to bring the screen siren back to the scene of the crime. Daniel has been silently stalking Laurie for years, and when his psychotic brother Nathan is released from prison, no one expects the horror he brings. Daniel's misguided attempts to mend the wounds of a tortured youth resurrect Laurie's childhood nightmares and force Daniel to confront his own obsession, while Nathan's twisted logic takes on demonic proportions.

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Content warning

Standout Aspects

Acting

C. Thomas Howell goes FULL unhinged as Nathan — deranged commitment.

Direction

Thomas Elliott's anonymous style lets the chaos speak for itself.

Best for:Solo: 2 AM with snacks, questioning your life choices.·Friends: Ironically, for roasting C. Thomas Howell's wild performance.·Background: Fold laundry while vaguely following the stalker plot.
Heads up:Violence: Orphanage torture flashbacks and stalker home invasion sequences.·Disturbing: Obsessive stalking played semi-romantically, which ages badly.
T

Director

Thomas Elliott

ReleasedNov 10, 2001
Runtime1h 40m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonedark
Feelmedium
Fresh Produce Films

Top Cast

C. Thomas Howell

C. Thomas Howell

Nathan Devine

Charlie Weirauch

Charlie Weirauch

Peter

Deborah Zoe

Deborah Zoe

Laurie Cardell

Roark Critchlow

Roark Critchlow

Yann Castor

Kristina Malota

Kristina Malota

Young Laurie

Marcia Moran

Marcia Moran

Nurse Gretchen

Danny Strong

Danny Strong

Yann's Assistant

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Deep Dive

Trivia, insights & behind the scenes

Trivia

This was one of several late-90s/early-2000s thrillers C. Thomas Howell made during his 'I'll take anything' career phase.

Cultural

The 'obsessive male savior' trope here feels ripped from 90s erotic thrillers, but with zero budget and even less self-awareness.

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