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A small-town accordion player gets played by love, crime, and showbiz — classic French chaos.
TMDB
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Watch(FR)

Wear His Heart on His Sleeve (1949)

hopeless romanticcynical Pariscircus redemption

Overview

Comedy

Léon Ménard, the village verger, is a decent young man whose hobby is to play the accordion. One day he is fired for having accompanied Mary Pinson, a singer deemed scandalous by the right-minded parishioners. Blinded by his love for Mary, Léon follows her to Paris where he becomes her plaything. With Mary's complicity, a gang of swindlers make him the puppet proprietor of a night club. But Léon can't live in a fool's paradise forever and soon finds himself on the street, forsaken and desperate. Luckily, the manager of a circus notices him while he is busking and he hires Léon at once. Not only will success come to him but he will win the love of sweet Solange.

Flag of FRFRFrench
Content warning

Standout Aspects

Acting

Bourvil's face — every humiliation registers in his eyes.

Score

Accordion as character: jaunty, then devastating.

Best for:Solo: Rainy afternoon with wine and zero expectations.·Rewatch: Spotting how Léon's clothes signal his downfall.
A

Director

André Berthomieu

ReleasedJun 28, 1949
Runtime1h 35m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
Union Cinématographique Lyonnaise (UCIL)

Top Cast

Bourvil

Bourvil

Leon Ménard

Jacques Louvigny

Jacques Louvigny

Martineau

Michèle Philippe

Michèle Philippe

Mary Pinson

Paul Faivre

Paul Faivre

Parish priest

Lolita De Silva

Lolita De Silva

Solange

Robert Berri

Robert Berri

Alex

Charles Bouillaud

Charles Bouillaud

Paulo

Nicolas Amato

Nicolas Amato

Philipot

Georges Bever

Georges Bever

Clown

Albert Broquin

Albert Broquin

Cafe owner in the rue de Lappe

Édouard Francomme

Édouard Francomme

Friend of Raoul

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Bourvil was France's beloved everyman; casting him as a exploited naïf let audiences laugh at their own post-war anxieties.

Insight

The circus ending mirrors 1940s French cinema's obsession with carnivals as spaces of authentic community versus corrupt urban modernity.

Gallery

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