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A broke writer scams his way into paradise using stolen stories and a rental car.
TMDB
40
IMDb
46

Kargus (1981)

schemes within schemesmeta-narrative chaosdarkly comic desperation

Overview

Comedy

A series of vignettes is woven into a larger story in this first film to be written and directed by Juan Minon and Miguel A. Trujillo. A writer who works in a bookshop to earn a living meets a wealthy American named Kargus looking for talent to ensconce in his projected art colony in the Gilbert Islands. In order to convince the American to take him on as a good prospect, the writer promotes his own stories -- the vignettes seen in the film. One story is about a young man trying to impress his girlfriend with his new car, a car he indirectly borrowed from a rental agency. His efforts to hide the rental sign on top of the car lead to various comical posturings. Other vignettes are from the era of the Spanish Civil War, including one about two people trying to survive by hunting cats and killing them to sell to butchers. Another vignette shows pro-Franco activists eradicating anti-Franco graffiti in Madrid.

Flag of ESESSpanish
Content warning

Standout Aspects

Writing

Nested structure where stories comment on their own telling.

Direction

Debut feature balancing Civil War trauma with rental car farce.

Best for:Solo: When you want to feel smug about finding obscure Spanish cinema.·Rewatch: To catch how the vignettes mirror the frame story.
Heads up:Disturbing: Cat-hunting for meat during wartime desperation.
M

Director

Miguel A. Trujillo

ReleasedJun 19, 1981
Runtime1h 36m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
Taller de Cine

Top Cast

Francisco Algora

Francisco Algora

Tachador 1

Patricia Adriani

Patricia Adriani

Héctor Alterio

Héctor Alterio

Laura Cepeda

Laura Cepeda

Emilio Fornet

Emilio Fornet

Viejo mudo

Antonio Gamero

Antonio Gamero

Agustín González

Agustín González

Tachador 1

Francisco Algora

Francisco Algora

Tachador 2

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Miñón and Trujillo never directed another feature together; this remains their sole collaboration.

Cultural

Made during Spain's transition to democracy, the film smuggles Franco-era trauma into commercial comedy—a balancing act few attempted.

Reviews

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