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What if a computer could pick your soulmate better than your heart? Spoiler: it can't.
TMDB
41

Do We Match Each Other, Darling? (1975)

retro-futuristicmarriage satireCzech New Wave energy

Overview

ComedyScience Fiction

Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.

Flag of XCXCCzech
Content warning

Standout Aspects

Acting

Brejchová and Brodský's exquisitely deadpan marital despair

Production

Gloriously clunky retro computer sets that age beautifully

Writing

Sharp satire that predicted dating apps by decades

Best for:Solo: Contemplating your own questionable life choices·Date Night: Testing if your partner laughs at marriage jokes·Rewatch: Noticing all the 1975 computer predictions
P

Director

Petr Schulhoff

ReleasedJul 4, 1975
Runtime1h 38m
StatusReleased

Vibe

Pacesteady
Intensitylow
Tonemixed
Feelmedium
Filmové studio Barrandov

Top Cast

Vlastimil Brodský

Vlastimil Brodský

Jana Brejchová

Jana Brejchová

Regina Rázlová

Regina Rázlová

Josef Bláha

Josef Bláha

Iva Janžurová

Iva Janžurová

Alena

František Peterka

František Peterka

Vladimír Menšík

Vladimír Menšík

Stella Zázvorková

Stella Zázvorková

Stanislava Bartošová

Stanislava Bartošová

František Filipovský

František Filipovský

Jiří Lír

Jiří Lír

Václav Trégl

Václav Trégl

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Made in normalized Czechoslovakia, the film subtly critiques state-controlled 'optimization' of human lives through its computer-matching premise.

Insight

Director Schulhoff essentially made a Tinder predictor in 1975—complete with the same hollow promise of algorithmic romance.

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