

Anger rages in Philip as he awaits the publication of his second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley, and his own indifference to promoting the novel. When Philip's idol Ike Zimmerman offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject: himself.
Acting
Schwartzman's committed performance as human garbage.
Writing
Dialogue so sharp it draws blood — then laughs.
Direction
Perry's 16mm grain makes ugliness strangely beautiful.

Director
Alex Ross Perry
Trivia, insights & behind the scenes
The film's 16mm grain and Academy ratio were deliberate choices to evoke 1970s American cinema, particularly the works of Woody Allen and Paul Mazursky.
Jonathan Pryce based Ike Zimmerman partly on Philip Roth, creating a meta-commentary on literary legacy and the monstrous men who shape it.
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