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Mussolini's boxing fever dream: fake history, real POWs, and a villain named 'Gangster woman.'
IMDb
55

Harlem (1943)

Fascist fanfictionHistorical gaslightingCinecittà chaos

Overview

Drama

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

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Content warning

Standout Aspects

Production

South African POWs forced to perform as 'savage' Harlem crowds.

Writing

History rewritten so hard it needs whiplash insurance.

Best for:Solo: When you hate yourself enough to watch actual Nazi co-productions.·Rewatch: Film students analyzing how NOT to make cinema.
Heads up:Triggers: Extreme racist propaganda depicting Black people as savage mobs.·Disturbing: Forced labor of prisoners for cinematic 'authenticity.'
Carmine Gallone

Director

Carmine Gallone

ReleasedApr 21, 1943
Runtime1h 53m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonedark
Feelmedium
Cines

Top Cast

Massimo Girotti

Massimo Girotti

Tommaso Rossi

Amedeo Nazzari

Amedeo Nazzari

Amedeo Rossi

Vivi Gioi

Vivi Gioi

Muriel

Elisa Cegani

Elisa Cegani

Gangster woman

Osvaldo Valenti

Osvaldo Valenti

Chris Sherman

Ask about Harlem

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Cinecittà's 'film camp' held thousands of POWs specifically for use as extras in Axis propaganda.

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