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A 1980 French comedy where having a baby destroys everything—especially the marriage.
TMDB
10
IMDb
35

Un amour d'emmerdeuse (1980)

chaotic parentingmarital meltdownbourgeois anxiety

Overview

Comedy

After ten years of marriage, Philippe and Catherine finally have the joy of having a baby: Julie. For these two extended teenagers, it's the end of night outings and improvised weekends. She is quickly overwhelmed and Philippe, who runs an advertising company, is not often there. On the other hand, the family - grandmother or godfather - is too much. And then she begins to choke. As a fashion designer, she first tries to work at home but can not share herself between her professional and maternal activities. Philippe tries to help her, in vain, then abandons to flee to Deauville for an extra-marital weekend. She will not forgive him and will disappear with Julie. And years go by before the little girl who grew up finds herself again between her mother and her father, accompanying her, for the first time, to school.

Flag of FRFRFrench
Content warning
gendered laborcreative ambition vs. motherhoodinfidelity as escapethe myth of the modern couple

Standout Aspects

Acting

Olivia Orlandi's unraveling captures maternal desperation perfectly.

Production

Gloriously dated 1980 Parisian interiors and fashion.

Best for:Solo: When you need to feel better about your own life choices.·Streaming: Late-night discovery of forgotten French cinema.
Heads up:Triggers: Abandonment of infant by both parents depicted frankly.
A

Director

Alain Vandercoille

ReleasedApr 8, 1980
Runtime1h 25m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium

Top Cast

Olivia Orlandi

Olivia Orlandi

Catherine

Raphaël Delpard

Raphaël Delpard

Philippe

Alain Franco

Alain Franco

Paul

Marthe Villalonga

Marthe Villalonga

The grandmother

Francis Perrin

Francis Perrin

Maxime

Caroline Cartier

Caroline Cartier

Laurence

Paul Kanoui

Paul Kanoui

Etienne

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Director Alain Vandercoille made only two features; this was his second and final film before disappearing from cinema.

Cultural

The film captures a specific post-68 French anxiety: liberated women discovering motherhood still meant sacrifice, while men discovered 'liberation' meant avoiding responsibility.

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