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A vengeance-obsessed family vs. a martial arts master who treats murder like a game of chess.

The Absurd Brave (1969)

Chaotic wuxia energyDarkly comic bloodshed1960s Shaw Brothers flair

Overview

ComedyAdventureAction

The arrest and execution of the head of the outlawed Five Flower sect leaves his four offspring thirsty for revenge! But none of his children are more bloodthirsty than his eldest daughter. She leads her siblings on a murderous trail of vengeance, as they assassinate all of the officials involved in their father's execution, including the local governor. Chaos and lawlessness follow in their bloody wake. Somehow, Wu Liang, the governor's grown son, escapes the murderous wrath of the Five Flowers and finds his way to Master Ou, the absurdly deadly master of the martial arts. Can young Wu avenge his father and protect the public from the deadly Five Flowers when Master Ou treats the whole affair as a game? Find out in this wuxia classic!

Flag of TWTWChinese

Standout Aspects

Direction

Cheung Fong-Ha's tonal whiplash between slapstick and slaughter.

Acting

Chiang Kuang-Chao's deadpan absurdity as the unbothered master.

Practical Effects

Pre-CGI fight choreography with genuine physical danger.

Best for:Friends: Chaotic movie night for cult martial arts fans.·Rewatch: Catch Master Ou's philosophical trolling on second viewing.
Heads up:Violence: Frequent swordplay deaths, though stylized 1960s gore.·Disturbing: Family massacre of officials includes collateral slaughter.
C

Director

Cheung Fong-Ha

ReleasedJan 1, 1969
Runtime1h 41m
StatusReleased

Vibe

Pacefast
Intensityhigh
Tonemixed
Feelmedium

Top Cast

Chiang Kuang-Chao

Chiang Kuang-Chao

Ouyang De

Sham Suet-Chun

Sham Suet-Chun

Prostitute Nine Flowers

Richard Chan Chun

Richard Chan Chun

Wang Yong

Wang Yong

Wu Jie

Tsao Chien

Tsao Chien

Wang Sun

Wang Sun

Wu Ho

Wu Ho

Sang Chong

Lin Yu

Lin Yu

Shen Cui Er

Ko Yu-Min

Ko Yu-Min

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Released during the late Shaw Brothers wuxia boom, this film reflects 1960s Hong Kong anxieties about generational violence and collapsing imperial authority.

Insight

Master Ou's character arguably prefigures the 'detached warrior philosopher' archetype later perfected by actors like David Chiang in Chang Cheh's films—though here the detachment reads more as sociopathy.

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