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A man who'd rather be nobody in a country that demands you be somebody.
TMDB
90
IMDb
53

Farssmann oder Zu Fuß in die Sackgasse (1991)

absurdist bureaucracymelancholic satirecrumbling concrete

Overview

ComedyDrama

He could have had women, he could have climbed the ladder of his accountancy career, and he could have stood on the podium next to the highest in the land. If only he had wanted to! But Farssmann, shaken by divorce and unwilling to better himself, wants to remain what he is: an ordinary bookkeeper like you and me. And so the dollar deal with Mr. Osbar from Utah (USA) is not the first time he comes into conflict with the very palpable unreality of a country called the German Democratic Republic.

Flag of DEDEGerman
Content warning

Standout Aspects

Acting

Gwisdek's magnificent inertia—charisma through refusal.

Production

The rotting grandeur of late-GDR architecture as character.

Best for:Solo: When you want to wallow in beautiful, specific sadness.·Rewatch: Catches more GDR absurdities each time.
Heads up:Emotional: Divorce grief and existential defeat, handled gently.
Roland Oehme

Director

Roland Oehme

ReleasedSep 5, 1991
Runtime1h 37m
StatusReleased

Vibe

Paceslow
Intensitylow
Tonemixed
Feelmedium
DEFA-Studio Babelsberg

Top Cast

Michael Gwisdek

Michael Gwisdek

Farssmann

Angelika Waller

Angelika Waller

Lena Simoneit

Peter Sodann

Peter Sodann

Direktor Scharbowski

Käthe Reichel

Käthe Reichel

Frau Lörke

Horst Schulze

Horst Schulze

Dr. Falke

Chris Howland

Chris Howland

Mr. Osbar

Michèle Marian

Michèle Marian

Doreen Wegmann

Annemone Haase

Annemone Haase

Martin Trettau

Martin Trettau

Klaus Piontek

Klaus Piontek

Viola Schweizer

Viola Schweizer

Ask about Farssmann oder Zu Fuß in die Sackgasse

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Chris Howland, who plays the American businessman, was actually a famous British-German TV presenter—his casting adds meta-layer of Western media intrusion.

Cultural

Released months before reunification, it captures a GDR that already knew it was ending—making Farssmann's stubbornness feel almost prophetic.

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