Francis Ford Coppola, the cast, and the production crew discuss the production of the 1992 masterpiece.
Practical Effects
Coppola rejecting CGI for in-camera magic like a glorious lunatic.
Direction
Francis building a time machine to 1897, budget be damned.
Production
The insane shadow puppets and reverse projection sorcery.

Director
Kim Aubry
Trivia, insights & behind the scenes
Coppola's son Roman shot second unit footage at age 22, including the infamous coach ride through blue hell.
This doc reveals Coppola saw the novel as 'in-camera erotica'—explaining why every frame feels like fevered longing.
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