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A disgraced doctor in colonial Goa trades one sin for another—then watches it all burn down.
TMDB
67
IMDb
65

Amok (1993)

slow-burn moral decaysweaty colonial guiltZweig-ian psychological spiral

Overview

ComedyDrama

Whenever people are released from their society's constraints, there is the possibility that they will behave badly, at least according to the rules of the society they have left behind. This seems to have been particularly the case for Europeans living in colonial establishments in Africa and Asia. In this drama, based on a story by Stefan Zweig, Dr. Steiner (Andrzej Seweryn) was caught with his fingers in the till at a German hospital. Rather than prosecute him, they gave him the option of emigrating elsewhere. He chose to serve at a clinic in a remote part of Portuguese Goa. He has been on his best behavior for years, but when the beautiful wife (Fanny Ardant) of a diplomat comes to him asking for an abortion, he is tempted to ask for sexual favors in return, and his life swiftly goes out of control.

Flag of FRFRFrench
Content warning

Standout Aspects

Acting

Seweryn's crumbling dignity; Ardant's devastating stillness.

Direction

Farges lets Goa’s humidity become its own character.

Best for:Solo: Late night when you want to feel morally compromised by proxy.·Streaming: Obscure 90s European cinema deep-dive.
Heads up:Sexual Content: Coerced sexual transaction as central plot point.
J

Director

Joël Farges

ReleasedOct 9, 1993
Runtime1h 30m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy
CNC
Canal+

Top Cast

Fanny Ardant

Fanny Ardant

She

Sonja Kirchberger

Sonja Kirchberger

Mistress Munich

Andrzej Seweryn

Andrzej Seweryn

Steiner

Bernard Le Coq

Bernard Le Coq

The traveler

Joaquim de Almeida

Joaquim de Almeida

The lover

Henrique Viana

Henrique Viana

the surgeon

António Victorino de Almeida

António Victorino de Almeida

the governor

Anang Desai

Anang Desai

the chauffeur

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Zweig's 1922 novella was already a critique of European moral rot; Farges relocates it to dying Portuguese colonialism for extra historical sting.

Trivia

This was one of Fanny Ardant's rare French-German co-productions during her peak 90s run—she reportedly took half her usual fee to work with Seweryn.

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