Six minutes. One bathroom. Zero escape from your own mind.
Direction
Žarn weaponizes claustrophobic space like a panic attack.
Acting
Višnjić's pre-ER intensity is already fully formed.
Director
Tihomir Žarn
Trivia, insights & behind the scenes
Višnjić made this during mandatory Yugoslav military service, smuggling film equipment onto base. The bathroom set was literally a military latrine.
Shot months before Croatian independence, the film captures anticipatory dread of societal fracture—paranoia as premonition, not pathology.
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