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The woman who made Baz Luhrmann make sense finally gets her close-up.

Jill Bilcock: The Art of Film Editing (2017)

craft-obsessedAustralian cinema royaltyunderdog genius

Overview

Documentary

Australian film editor Jill Bilcock is one of the world's most sought after film editors, having edited beloved films such as STRICTLY BALLROOM, ROMEO+JULIET, MURIEL’S WEDDING, ELIZABETH, MOULIN ROUGE!, ROAD TO PERDITION and THE DRESSMAKER. This documentary looks at her craft and charts how an outspoken arts student in 1960s Melbourne became one of the world’s most acclaimed film artists. Featuring interviews with Jill and many of today's leading filmmakers and actors, such as Baz Luhrmann, Jocelyn Moorehouse, Sam Mendes, Shekhar Kapur, Fred Schepisi and Cate Blanchett.

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Content warning

Standout Aspects

Editing

Duh. Watching Jill work is watching magic explained without killing it.

Production

Baz Luhrmann describing her like she's his secret weapon.

Acting

Cate Blanchett's awe is genuinely infectious.

Best for:Solo: When you need to remember movies are made by humans, not algorithms.·Rewatch: After revisiting Moulin Rouge and finally noticing the editing.·Friends: With that friend who won't shut up about film school.
A

Director

Axel Grigor

ReleasedMar 14, 2017
Runtime28m
StatusReleased

Vibe

Pacefast
Intensitymedium
Tonelight
Feelmedium

Top Cast

Cate Blanchett

Cate Blanchett

Self

Baz Luhrmann

Baz Luhrmann

Self

Shekhar Kapur

Shekhar Kapur

Self

Sam Mendes

Sam Mendes

Self

Jocelyn Moorhouse

Jocelyn Moorhouse

Self

Fred Schepisi

Fred Schepisi

Self

Rob Sitch

Rob Sitch

Self

Rachel Griffiths

Rachel Griffiths

Self

David Hirschfelder

David Hirschfelder

Self

Ask about Jill Bilcock: The Art of Film Editing

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Trivia

Bilcock turned down Hollywood for decades, choosing to stay in Australia and commute — she literally edited Road to PerDITION from Melbourne via satellite link in the early 2000s.

Cultural

She helped create the 'Australian new wave' look alongside directors like Luhrmann and Moorhouse, proving editors are co-authors, not technicians.

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