She's got a sugar-daddy paying her bills, and while she's stringing him along, she meets somebody her own age that she reallytruly falls in love. And it turns out he's the son of her rich dude.
Acting
Norma Lazareno's dual-role theatricality is unhinged perfection.
Costume
Seventies glamour so loud it deserves its own billing.
Director
Alfredo B. Crevenna
Trivia, insights & behind the scenes
Crevenna was a prolific workhorse director in Mexican cinema, churning out dozens of genre films that weaponized melodrama for working-class audiences.
The 'evil woman' trope here carries Catholic guilt so heavy you could use it as a weapon—Rosángel's punishment is practically biblical.
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