Lola is pregnant, and she isn’t sure who the father is: Félix, a Jewish delivery boy, or Jamal, a black law student.
Direction
Kassovitz's debut shouts 'La Haine' energy in embryo
Acting
Mauduech owns every frame, choosing nobody and everybody
Writing
Dialogue snaps like a French New Wave descendant
Director
Mathieu Kassovitz
Trivia, insights & behind the scenes
Made before 'polyamory' entered mainstream vocabulary, the film was marketed as edgy provocation rather than relationship exploration. Kassovitz later disowned its reception, not its existence.
Vincent Cassel's Max exists purely to sabotage — his aggression toward Jamal mirrors France's own unprocessed colonial tensions, making him the film's accidental political spine.
FR
