One day, one woman, zero answers to the big questions — and Bach makes it devastating.
One day in the life of the girl Lena, looking for reasons (not) to get acquainted with men, (not) to have a family and children, (not) to love.
Direction
Melikyan's whimsical yet crushing visual language.
Score
Bach's Adagio weaponized for maximum heartbreak.
Acting
Zueva's fragile, searching stillness.
Director
Anna Melikyan
Trivia, insights & behind the scenes
Part of Melikyan's unofficial 'fairy tale realism' trilogy exploring post-Soviet femininity through magical lenses.
The title's deliberate lowercase 'girl' infantilizes Lena — she's stuck in perpetual becoming, never allowed to arrive.
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