Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
Editing
65,000+ printed frames re-animated into liquid motion.
Production
Shot on a photocopier — literally. The budget was probably toner.
Practical Effects
Every 'effect' is physical paper being physically manipulated.
Director
Virgil Widrich
Trivia, insights & behind the scenes
Widrich and his team physically printed each frame, manipulated them (crumpled, folded, torn), then re-photographed everything — no digital compositing in 2003.
Made the same year as 'The Matrix Reloaded,' this is its punk photocopier twin — both obsessed with constructed realities, one with $150 million, the other with office supplies.
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