Martin, a homosexual widower and whimsical of fifty years, sees itself propose to contract a marriage white with a Congolese of twenty years, Tamara. These two beings that everything separates are going to believe in their love against the authorities of migration and to force to pretend.
Acting
Lanners and Mwanza's fragile, funny chemistry
Direction
Lambert's gentle chaos in mundane moments
Director
David Lambert
Trivia, insights & behind the scenes
Rachel Mwanza was a street child in Kinshasa before her breakout in 'War Witch'—her lived experience shadows Tamara's silences.
The 'white marriage' trope gets queered here: Martin's gay identity complicates the immigration-fraud formula rather than simplifying it.
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