The film comprises three cinematic novellas: (1) “And They Arrived at the Peasant’s Hut… or the Adventures of Writer Senya in Search of the Hidden Word,” in which writer Senya draws inspiration for his rural novels from his housekeeper Yermolayevna’s tales; (2) “The Song, or How the Great Louarsab Organized a Choir,” where a city visitor attempts to form a choir of centenarian elders in a Georgian mountain village; (3) “What Is Our Life?! or What Is Our Life?!”—during a musical reenactment of pre-Revolutionary France, a drunken actor’s tardiness forces King Louis XIV (also the theater committee chairman) and the cast to improvise the play’s ending.
Acting
Nevinnyy's neurotic writer energy is peak Soviet everyman comedy.
Writing
Meta-theatrical finale where the play collapses gloriously into itself.
Direction
Three directors, three distinct flavors — surprisingly cohesive chaos.

Director
Gerald Bezhanov
Trivia, insights & behind the scenes
"Au-u!" was part of a Soviet tradition of cinematic almanacs — anthologies that let multiple directors experiment under one umbrella title, often sneaking subversive ideas past censors through comedy.
The title itself is an untranslatable Georgian exclamation of surprise or dismay — fitting for a film where nothing goes as planned.