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Adam and Eve with French rent problems and a creepy landlord as the devil.

Ève et le serpent (1949)

wholesome resistancepost-war rom-commoral fable energy

Overview

Comedy

Georges, a medical student, falls in love with Louisette, his pretty neighbor, and gets engaged to her. They are as happy as Adam and Eve in the Garden of Eden. One small hitch is that Georges' father has serious money troubles and cannot support his son anymore. But what does it matter? Georges and Louisette just have to find work. The latter is hired by a rich tenant of the apartment building she lives in with her fiancé. Another hitch lies in the fact that Monsieur Grompat, her employer is a bit like the serpent in the Book of Genesis : he only aims to tempt her and to seduce her out of the arms of Georges. But Louisette is not Eve and she manages to emerge unscathed from the adventure. She will live happily with the man of her heart for the rest of her days.

Flag of FRFRFrench
Content warning
temptation and fidelityclass struggle and dignitygendered power dynamicslove vs economic security

Standout Aspects

Acting

Gaby Morlay's scene-stealing auntie wisdom.

Writing

Biblical allegory that knows when to wink at itself.

Best for:Solo: A charming 95-minute palate cleanser between heavy films.·Date Night: Vintage romance where loyalty actually wins. Revolutionary.·Rewatch: Spot the Genesis symbolism you definitely missed first time.
C

Director

Charles-Félix Tavano

ReleasedDec 8, 1949
Runtime1h 35m
StatusReleased

Vibe

Pacesteady
Intensitylow
Tonelight
Feellight

Top Cast

Gaby Morlay

Gaby Morlay

Laurence Barrois

Félix Oudart

Félix Oudart

Monsieur Grombat

Jacqueline Gauthier

Jacqueline Gauthier

Louisette

Marguerite Deval

Marguerite Deval

Madame Béchut

Jean Lanier

Jean Lanier

Notary

Albert Michel

Albert Michel

Valet

Palmyre Levasseur

Palmyre Levasseur

Marinette

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Released in post-war France, the film's working-class lovers refusing luxury resonated with audiences facing austerity and reconstruction. The biblical framing made class commentary palatable to censors.

Trivia

Director Charles-Félix Tavano was primarily a screenwriter; this was one of his rare directing credits, explaining the script's structural confidence over visual flair.

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