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He married his literal dream girl—and immediately learned dreams are terrible roommates.

Sylviane de mes nuits (1957)

romantic delusionmidlife crisis chic1950s Parisian gloss

Overview

Michel Lenoir, a successful interior designer, has reached the middle of his life without ever getting married. A bit blue over it he dreams one night of a beautiful young woman. When he wakes up he is persuaded that this is the girl meant for him. He can't help thinking about her, talking about her, drawing her figure, her face, her eyes on paper. He even gives her a name: Sylviane. Later on, as he is holidaying in Portugal, he notices a charming girl swimming in the pool he is in. No doubt about it : he has found Sylviane. He follows her, talks to her, woos her and they are soon married. However, back in Paris, Michel realizes that Betty, an articulate sports writer, is not the idealized woman his brain had conceived. Things go awry and the couple is about to separate when well-meaning friends intervene and open up Michel's eyes : he must base his love story on everyday reality not on idle dreaming.

Flag of FRFRFrench
Content warning

Standout Aspects

Production

Dreamy Portugal locations vs. cramped Paris reality

Acting

Frank Villard's descent from smug to devastated

Best for:Streaming: Sunday afternoon with wine and low expectations·Date Night: Warning: may spark uncomfortable relationship talks
Heads up:Emotional: The marriage disappointment hits uncomfortably hard
M

Director

Marcel Blistène

ReleasedDec 4, 1957
Runtime1h 46m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium

Top Cast

Denise Grey

Denise Grey

Mrs. Anita de Santos

Frank Villard

Frank Villard

Michel Lenoir

Jacques Dacqmine

Jacques Dacqmine

Lucien

Nadine Basile

Nadine Basile

The secretary

Jean Claudio

Jean Claudio

Jean

Georgette Anys

Georgette Anys

The innkeeper

Jacques Beauvais

Jacques Beauvais

Marcel

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Deep Dive

Trivia, insights & behind the scenes

Cultural

This is peak '1950s male protagonist learns women are people' cinema, practically a genre unto itself in postwar France.

Trivia

Director Marcel Blistène was primarily a songwriter; this was one of his rare directorial efforts, explaining the film's almost musical structure of dream vs. reality.

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