

Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a business consultant. But when a tragic event forces the past back into her life, Lola's grip on reality seems to slips away.
Acting
Pachner's physicality—watch her hands, always doing, never resting.
Direction
Kreutzer's clinical framing makes anxiety feel architectural.
Editing
The running motif cuts like intrusive thoughts you can't shake.

Director
Marie Kreutzer
Trivia, insights & behind the scenes
Part of a wave of Austrian cinema (Seidl, Hausner, Kreutzer) that treats middle-class professionalism as its own genre of body horror.
Kreutzer based Lola's compulsive running on real consulting culture where exhaustion becomes a competitive sport.
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