After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.
Direction
Rejtman's static frames find beauty in boredom
Writing
Dialogue so mundane it becomes philosophy
Cinematography
Buenos Aires as liminal dreamscape
Director
Martín Rejtman
Trivia, insights & behind the scenes
Rapado helped launch Argentina's 'New Argentine Cinema' movement, rejecting melodrama for emotional flatness.
Rejtman shot this debut feature in 11 days with non-professional actors and a $15,000 budget.
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