Two Nazi fugitives return for one last concert — what could go wrong?
Maria Ulrika von Glott, and her pianist, Yvonne de St Coffre, are back from Argentina, where they left in 1945 in an emergency, for an ultima recital.
Acting
Marianne James's unhinged diva commitment
Writing
Tone-deaf Nazis singing their own redemption
Director
Bruno Ducourant
Trivia, insights & behind the scenes
Bruno Ducourant crafted this as direct response to French amnesia about collaboration, using camp to force confrontation.
Marianne James, primarily an opera singer, improvised 40% of Maria's onstage meltdown—Ducourant kept rolling.
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