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A priest walks into Rome and nobody laughs. Moretti's spiritual crisis disguised as a comedy.
TMDB
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The Mass Is Ended (1985)

Catholic malaiseexistential hangoverRoman summer blues

Overview

ComedyDrama

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

Flag of ITITItalian
Content warning

Standout Aspects

Direction

Moretti directs himself with brutal self-deprecating precision.

Writing

Dialogue that stings—Catholic guilt meets 80s Italian cynicism.

Cinematography

Rome as liminal space: familiar yet alienating.

Best for:Solo: When you're spiritually exhausted and need company in the void.·Streaming: Late night, windows open, cicadas optional but recommended.·Rewatch: Second viewing hits different once you know everyone's secrets.
Heads up:Emotional: Multiple suicide attempts and pervasive depressive themes throughout.·Triggers: Clergy struggling with faith may resonate uncomfortably for some viewers.
Nanni Moretti

Director

Nanni Moretti

ReleasedNov 15, 1985
Runtime1h 34m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonemixed
Feelheavy
Faso Film

Top Cast

Nanni Moretti

Nanni Moretti

Don Giulio

Ferruccio De Ceresa

Ferruccio De Ceresa

Padre di Don Giulio

Margarita Lozano

Margarita Lozano

madre di Don Giulio

Marco Messeri

Marco Messeri

Saverio

Vincenzo Salemme

Vincenzo Salemme

Andrea

Dario Cantarelli

Dario Cantarelli

Gianni

Roberto Vezzosi

Roberto Vezzosi

Cesare

Enrica Maria Modugno

Enrica Maria Modugno

Valentina

Giovanni Buttafava

Giovanni Buttafava

l'avvocato

Luisa De Santis

Luisa De Santis

Lucia

Pietro De Vico

Pietro De Vico

frate

Eugenio Masciari

Eugenio Masciari

Antonio

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Moretti shot this during his own creative crisis; Giulio's spiritual paralysis mirrors the director's fear of irrelevance after early success.

Cultural

The title references both Catholic liturgy and Fellini's '8½'—Moretti positioning himself as the neurotic heir to Italian auteur cinema.

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