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The artist who paints with entrails and speaks in prophecy. You were warned.
TMDB
58
IMDb
78
Rotten Tomatoes
100

R.I.P. Rest in Pieces: A Portrait of Joe Coleman (1997)

outsider gospelcontrolled chaosapocalyptic fever dream

Overview

Documentary

R.I.P Rest in Pieces is an intimate portrait of artist Joe Coleman, who is known around the world as a shamanic, moral voice diagnosing the ills of 21st century America. Coleman holds nothing back, telling us of a world wracked with tumorous cities, perversion, divorce, violence, atomic bombs, and a human race destroying itself simply because we are born.

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Content warning

Standout Aspects

Acting

Coleman's monologues—performance art masquerading as interview

Direction

Pejo lets Joe be Joe, no sanitizing filter

Cinematography

Paintings shot like crime scene evidence

Best for:Solo: Late night when you want to question everything·Streaming: Pause frequently to Google the references·Rewatch: Coleman's world rewards repeat visits
Heads up:Disturbing: Coleman's paintings include dismemberment, disease, religious blasphemy·Triggers: Discussions of family violence, self-harm, apocalyptic anxiety
R

Director

Robert-Adrian Pejo

ReleasedJan 1, 1997
Runtime1h 52m
StatusReleased

Vibe

Paceslow
Intensityhigh
Tonedark
Feelheavy
Prisma Film

Top Cast

Joe Coleman

Joe Coleman

Himself

Jim Jarmusch

Jim Jarmusch

Ask about R.I.P. Rest in Pieces: A Portrait of Joe Coleman

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Coleman coined 'Maniac Expressionism' for his style, and literally blew himself up onstage regularly—this was pre-YouTube performance art when bodily risk meant something.

Insight

The film captures Coleman just before 9/11 made his apocalyptic visions feel prophetic rather than paranoid; his 'tumorous cities' line hits different now.

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