One woman, two husbands, zero control — the moon makes her do WHAT?!
Karima lives a happy and stable life with her husband, Qadri, but during the lunar days her personality changes and she turns into a Bedouin personality because of a man's attempt to rape her on a moonlit night when she was young and she was wearing Bedouin acting clothes, so she goes to where the Bedouins live in the Haram Desert. She falls in love with Wael, who loves her back and marries her. Qadri becomes suspicious of his wife's behavior.
Acting
Shadia's dual performance is genuinely unhinged
Cinematography
Desert moonlight as psychological trigger
Costume
Bedouin garb as identity prison and escape
Director
Hossam El Dine Mostafa
Trivia, insights & behind the scenes
1973 Egyptian cinema's rare exploration of female psychology through genre lens, starring Shadia in her dramatic peak before retirement.
The lunar cycle mirrors Karima's menstrual cycle — the film codes her 'possession' as female biology itself becoming monstrous under patriarchal surveillance.
EG
