

A rebellious young graffiti artist, who targets the homes of the wealthy elite, discovers a shocking secret that leads him on a journey endangering himself and those closest to him.
Direction
Anvari's slow-burn dread, every corridor feels wrong.
Acting
MacKay's fragile rage, Ascott's crushing guilt—both devastating.
Production
That house: character itself, all polished surfaces and rot beneath.

Director
Babak Anvari
Trivia, insights & behind the scenes
George MacKay did his own graffiti stunts, training with actual street artists in London—those shaky hands holding spray cans? Method acting, darling.
Anvari, Iranian-British, has called this his 'most English film'—the class commentary lands harder because he sees British hierarchy as an outsider, recognizing its violence as systemic rather than personal.
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