Discussion

Paddington Collaboration discussion

2007

0 comments

TMB

Track, discover and find where to watch TV shows and movies.

Discover

Movies
TV Shows
Browse
Topics

Account

Watchlist
Watched
Ratings

Legal

Privacy Policy
Terms of Service
Content Policy

Data provided by TMDB

Home

Browse

Watchlist

Back to Paddington Collaboration

Discussion

Paddington Collaboration discussion

2007

0 comments

Newest first

Sign in to join the discussion — comments are spoiler-gated to your watch progress.

Start the conversation

No comments yet. Sign in to be the first — pick a prompt to get started.

About this title

Paddington Collaboration

2007 · 3m · Released

‘ Paddington Collaboration ’ was shot on 16mm film one morning in and around a flat in Paddington , London. Inspired by a history of formal film experiments the artists imposed a structure with each controlling roughly half of the content. Fowler drew from classic ‘room films’ to document a journey from the interior of the upstairs flat to the front door of the building. McLauchlan then explored the surrounding area, following this exploration with shots of Fowler in front of the places he had previously captured. Fowler asked McLauchlan to draw over the first half of the film, instead she wrote about the events of that morning, a text that then forms the sound track. The narrative reveals the physical and temporal structures that guide this collaboration , together with those that shape expectations of what it means to contribute to this type of film.

Director

Anna McLauchlan

View full details

Newest first

Sign in to join the discussion — comments are spoiler-gated to your watch progress.

Start the conversation

No comments yet. Sign in to be the first — pick a prompt to get started.

About this title

Paddington Collaboration

2007 · 3m · Released

‘ Paddington Collaboration ’ was shot on 16mm film one morning in and around a flat in Paddington , London. Inspired by a history of formal film experiments the artists imposed a structure with each controlling roughly half of the content. Fowler drew from classic ‘room films’ to document a journey from the interior of the upstairs flat to the front door of the building. McLauchlan then explored the surrounding area, following this exploration with shots of Fowler in front of the places he had previously captured. Fowler asked McLauchlan to draw over the first half of the film, instead she wrote about the events of that morning, a text that then forms the sound track. The narrative reveals the physical and temporal structures that guide this collaboration , together with those that shape expectations of what it means to contribute to this type of film.

Director

Anna McLauchlan

View full details