Two factory workers, three stolen summer days, and the quiet ache of almost-love.
During the factory’s strike, two workers decide to spend three days together in the mild summer as two very close friends know how to do.
Acting
Fébié and Doireau communicate decades in shared silences.
Cinematography
Golden-hour France that makes poverty look almost beautiful.
Writing
Dialogue so sparse every word lands like confession.
Director
Arthur Cahn
Trivia, insights & behind the scenes
Shot during an actual French factory strike, using real workers as extras—Cahn blurred documentary and fiction deliberately.
The title's days are intentionally misordered; Thursday-Saturday-Friday mirrors how memory reshuffles what we cannot bear to sequence.
No ratings yet
Sign in to join the discussion — comments are spoiler-gated to your watch progress.
Discussion starters
FR
