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A murdered ice cream man, communist Poland, and two cops who'd rather flirt than solve crimes.
TMDB
70

Koniec sezonu na lody (1988)

retro noirabsurdist bureaucracycoastal melancholy

Overview

Crime

The owner of an ice cream parlor in a coastal town is murdered. The investigation is conducted by platoon leader Rogowski, but soon he is joined by Lieutenant Joanna Szczęsna from the voivodeship headquarters.

Flag of PLPLPolish
Content warning

Standout Aspects

Production

Gdańsk shipyards and crumbling resorts as decaying communist stage.

Writing

Dialogue so deadpan it hurts — police procedural as existential joke.

Best for:Solo: Rainy afternoon when you want Polish weirdness nobody's heard of.·Rewatch: Catch the visual gags you missed in the bureaucratic fog.
Heads up:Violence: Brief blunt murder, mostly offscreen but grim.·Sexual Content: Repressed tension, one brief scene with nudity.
Sylwester Szyszko

Director

Sylwester Szyszko

ReleasedMar 1, 1988
Runtime1h 24m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelmedium
Wytwórnia Filmów Fabularnych w Łodzi
Zespół Filmowy "Iluzjon"

Top Cast

Wojciech Pokora

Wojciech Pokora

Sylwester Rogowski

Anna Frankowska-Teter

Anna Frankowska-Teter

Joanna Szczęsna

Ludwik Benoit

Ludwik Benoit

Maciejewski

Roman Kłosowski

Roman Kłosowski

Karaś

Gustaw Lutkiewicz

Gustaw Lutkiewicz

Dojnarowicz

Henryk Bista

Henryk Bista

Drabik

Leon Niemczyk

Leon Niemczyk

Listkowski’s friend

Jerzy Łapiński

Jerzy Łapiński

photographer Majka

Ewa Ziętek

Ewa Ziętek

Rogowski’s wife

Joanna Bogacka

Joanna Bogacka

Marylka Kolska

Hanna Dunowska

Hanna Dunowska

Henia

Monika Jóźwik

Monika Jóźwik

Ilona Rychter

Maria Mielnikow-Krawczyk

Maria Mielnikow-Krawczyk

Basia

Waldemar Kownacki

Waldemar Kownacki

Józek Marocha

Ask about Koniec sezonu na lody

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Shot during Poland's final communist years, it's a rare genre film that sneaked political critique past censors through deadpan absurdism.

Trivia

Director Szyszko was primarily a documentarian; this was his only fiction feature, which explains the almost anthropological gaze at institutional decay.

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Reviews

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