Trash TV's chaotic backstage will make you question everything about daytime drama.
Direction
Pinilla's access feels almost too intimate.
Editing
Thirty seconds never felt so manufactured.
Director
Jeff pinilla
Trivia, insights & behind the scenes
Pinilla shot this as his NYU thesis film, somehow getting full access to Tribune's syndication machine before anyone questioned the ethics of documentary crews in trauma factories.
This predated the 'Jerry Springer: The Opera' backlash and 'UnREAL' by years, quietly predicting how reality TV's sausage gets made—and who gets ground up in the process.
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