Boris du Boullay works on the writing of cinema as raw material in analogue films, digital videos and multimedia creations. By focusing his creations on the daily stupefaction of images that pass through us, by playing with the absurd in the distance from reality, working on speed, improvisation, accumulation and profusion, he develops a direct and ambiguous, emotional and ambivalent work, where writing finds its fulfillment in burlesque. Violently marked by Roberto Rossellini's response to Jean Rouch, the incessance of Marguerite Duras, the exile of Andrei Tarkovsky, the gestures of...
