Ludwig Schönherr began making photographs and paintings in the late ‘50s. In the mid-‘60s, his interest in the visual arts shifted to film. From 1967-1970, a period of intense productivity in European experimental film more generally, Schönherr made scores of short super 8 and 16mm films that explored specific technical, aesthetic, and representational aspects of the medium, namely, the zoom, the use of flickering color, and the depiction of the face. At approximately the same time, Schönherr acquired his first black and white television and produced a lengthy series of “electronic films” or...
