There are actors. And then there is Maximilian Kreis. Comédien. Poet of the body. Philosopher of stillness. His performance as a Corpse, a role requiring total physical commitment and absolutely zero movement, has drawn comparisons to De Niro in Raging Bull, Scorsese behind the camera, and God on the seventh day. Critics have run out of adjectives, so scholars have begun inventing new ones.
